Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A dramatic historical depiction of the 1654 Delft explosion, capturing the immediate aftermath and human toll of the disaster in the Dutch Golden Age.
This painting depicts the aftermath of the Delft Thunderclap, a catastrophic explosion that occurred on 12 October 1654 when a powder magazine in the city centre ignited. Egbert Lievensz. van der Poel, who lived in Delft at the time, produced several versions of this event. This specific composition captures the immediate chaos and destruction following the blast. The foreground shows figures in various states of distress, some fleeing and others collapsed amidst the debris, while the background reveals the ruined cityscape under a heavy, smoke-filled sky.
The artist employs a sombre palette dominated by greys, browns, and muted ochres to convey the gravity of the disaster. The light source is concentrated on the smouldering ruins, creating a stark contrast against the dark, turbulent clouds that loom over the horizon. The architectural silhouettes of the city, including the distant towers, remain visible but damaged, providing a sense of scale to the devastation. Van der Poel was known for his depictions of fires and nocturnal scenes, and his experience with these subjects allows him to render the atmospheric effects of smoke and embers with precision.
This work functions as a historical record of a specific urban tragedy. It avoids idealisation, choosing instead to focus on the raw impact of the explosion on the local population and the physical environment. The composition draws the eye across the foreground, where the human element of the tragedy is most apparent, before receding into the wreckage of the city. By documenting the event shortly after it occurred, the artist provides a direct perspective on the vulnerability of seventeenth-century urban life. The painting remains a significant example of how Dutch artists of the period engaged with contemporary events, balancing documentary detail with the dramatic conventions of the time.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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