Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











A stylish lithograph by Théophile Alexandre Steinlen, 'The Eternal Trio' offers a glimpse into Parisian society at the turn of the 20th century. Originally published in 'Gil Blas Illustré', this print adds a touch of vintage charm to any room.
Théophile Alexandre Steinlen's 'The Eternal Trio', originally published in 1899 in the French weekly magazine 'Gil Blas Illustré', captures a moment of social commentary with a touch of Art Nouveau flair. Steinlen, a Swiss-born French artist, was renowned for his illustrations and posters, often depicting Parisian life and social issues. This print showcases a dapper gentleman, a fashionable lady, and a group of onlookers, all rendered with a keen eye for detail and character. The lithographic technique lends itself well to the crisp lines and subtle shading that define Steinlen's style. As a fine art print for the home, 'The Eternal Trio' offers a glimpse into the Belle Époque, a period of elegance and social change. Its monochrome palette with touches of colour makes it a versatile addition to any interior, complementing both modern and traditional décor. The print's narrative quality invites viewers to imagine the story behind the scene, making it a conversation starter and a unique piece of art history to be cherished.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Théophile Steinlen, a chronicler of Parisian life, captured the beauty and hardship of the Belle Époque with Art Nouveau flair and a socialist's heart.
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