A dramatic religious allegory by El Greco, depicting a celestial vision above a kneeling King Philip II.

The Dream of Philip II, also known as The Adoration of the Name of Jesus, is a complex allegorical work by El Greco. Painted during his early years in Spain, the composition reflects the artist's unique approach to religious narrative. The scene is divided into two distinct zones: the celestial realm above and the terrestrial sphere below. In the upper portion, a radiant monogram of Christ, IHS, glows against a golden sky. Surrounding this symbol are hosts of angels and saints, rendered with the elongated proportions and fluid brushwork characteristic of the artist. The lower section depicts a gathering of figures, including King Philip II of Spain, who kneels in prayer. To the right, a monstrous, cavernous mouth represents the entrance to hell, a visual device that contrasts sharply with the luminous heavens above. The figures are arranged in a manner that suggests a vision or a dream, rather than a literal historical event. El Greco employs a palette dominated by ochres, deep reds, and atmospheric greys. The lighting is dramatic, with the central monogram acting as the primary source of illumination for the entire scene. The composition avoids traditional linear perspective, opting instead for a vertical arrangement that guides the viewer's eye from the earthly figures upward toward the divine symbol. This work demonstrates the artist's ability to synthesise Byzantine iconographic traditions with the expressive techniques of the Venetian school. The painting remains a primary example of the Counter-Reformation art produced in Spain, capturing the spiritual intensity and theological concerns of the period. The figures appear weightless, suspended in a space that defies physical laws, which serves to heighten the supernatural quality of the subject matter.