A stark Expressionist depiction of the biblical descent from the cross, painted by Max Beckmann in 1917. The work features elongated figures and a muted palette.

Max Beckmann painted this work in 1917 following his service as a medical orderly during the First World War. The experience of the front lines altered his artistic approach. He moved away from traditional academic techniques toward a harsh, angular style. This painting depicts the biblical scene of Christ being lowered from the cross. The figures are elongated and skeletal, with skin rendered in shades of yellow and grey. The composition is cramped and vertical. Beckmann uses sharp lines to define the limbs and the wooden ladder. The space feels shallow, pressing the figures toward the front of the picture plane. This creates a sense of physical and emotional tension. Christ's body is stiff, showing the physical reality of death. The surrounding mourners display grief through distorted gestures and hollow eyes. Beckmann's use of colour is restrained. He relies on a palette of ochre, black, and pale flesh tones. A single red sun or halo appears in the upper left, providing a stark contrast to the muted surroundings. The work reflects the trauma of the era. It uses a traditional religious subject to communicate modern suffering. This piece is a significant example of German Expressionism from the period between the world wars. It is currently held in the collection of the Museum of Modern Art in New York.