A nineteenth-century albumen print by Fratelli Alinari documenting the fourteenth-century fresco of The Death of Abel by Piero di Puccio in Pisa.

This albumen print by the Fratelli Alinari studio captures the fourteenth-century fresco cycle located within the Camposanto Monumentale in Pisa. The original work, attributed to the painter Piero di Puccio, depicts the biblical narrative of Cain and Abel. The photograph preserves the visual state of the fresco during the late nineteenth century, documenting the composition and the decorative borders that frame the central scene.

The image displays the narrative sequence of the Old Testament story, featuring figures in period-appropriate attire set against a stylised backdrop. The Alinari brothers, operating from their studio in Florence, were instrumental in the systematic documentation of Italian art and architecture. Their work provided scholars and the public with access to remote or fragile artworks that were otherwise difficult to study in situ. This specific print reflects the technical precision of the Alinari firm, utilising the albumen process to render the tonal variations of the original plaster surface.

By focusing on the fresco, the photograph captures the spatial arrangement of the figures and the narrative flow characteristic of late Gothic Italian mural painting. The inclusion of the decorative friezes at the top and bottom of the frame provides context for the fresco's placement within the larger architectural programme of the Camposanto. This print serves as a record of the physical condition of the fresco before later restorations or environmental damage altered its appearance. It remains a valuable resource for those interested in the history of photography and the preservation of Italian mural art.