A powerful 1916 lithograph by Ernst Barlach from his 'Dance of the Dead' series, capturing two skeletal figures in a raw, expressionist style.

This lithograph belongs to the series 'Der Totentanz' (The Dance of the Dead), created by Ernst Barlach in 1916. During this period, the artist responded to the trauma of the First World War by revisiting the medieval motif of the Danse Macabre. The work depicts two skeletal figures in motion, their forms rendered with heavy, gestural charcoal-like marks that define the contours of their anatomy against a stark, simplified background.

Barlach employs a raw, unrefined line quality to convey a sense of urgency and existential unease. The figures move across an uneven, undulating ground, suggesting a landscape transformed by conflict or decay. The composition is deliberately flattened, focusing the viewer's attention on the physical posture of the skeletons rather than spatial depth. By stripping away extraneous detail, Barlach forces a direct confrontation with the subject matter, which functions as a meditation on mortality and the collective suffering experienced during the war years.

The artist's approach to the human form in this print reflects his broader interest in the expressive potential of the body. His figures often possess a heavy, earthbound quality, even when depicting the deceased. This lithograph avoids the decorative tendencies of earlier periods, opting instead for a stark, monochromatic aesthetic that aligns with the broader goals of German Expressionism. The print captures a moment of grim movement, where the boundary between the living and the dead becomes blurred. It remains a significant example of Barlach's graphic output, demonstrating his ability to distil complex emotional states into singular, powerful images through the medium of printmaking.