Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Henri-Edmond Cross's 'The Cypresses at Cagnes' captures the Mediterranean landscape with a mosaic of colour. This Neo-Impressionist painting uses distinct strokes to create a shimmering, luminous effect.
Henri-Edmond Cross, a French painter born in Douai, is known for his contribution to the Neo-Impressionist movement. He, along with Georges Seurat and Paul Signac, developed a style known as pointillism, where small, distinct dots of colour are applied in patterns to form an image. Cross moved away from the more rigid approach of early pointillism, favouring broader, more expressive brushstrokes. He spent much of his later life in the south of France, which greatly influenced his art. He captured the Mediterranean light and atmosphere in his paintings. 'The Cypresses at Cagnes' exemplifies Cross's mature style. The painting depicts a view of Cagnes-sur-Mer, a town on the French Riviera, with prominent cypress trees in the foreground. The scene is rendered using a mosaic-like application of colour, with individual strokes of paint creating a shimmering effect. The colour palette is bright and varied, with yellows, greens, blues, and purples used to depict the foliage, sky, and buildings. The composition is structured around the vertical forms of the cypress trees, which provide a sense of depth and scale. The overall effect is one of luminosity and vibrancy, capturing the warmth and light of the Mediterranean landscape.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
changing his name twice to escape confusion, moving to the Mediterranean for his health, and painting the coastline in colours so intense they helped start Fauvism
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