The Copper Age - Pietro da Cortona
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
Pietro da Cortona's "The Copper Age" is an allegorical oil on canvas from the Palazzo Pitti frescoes, depicting a period of nascent conflict and moral decay in classical mythology. The painting features a dynamic composition and a warm colour palette.
Pietro da Cortona, a leading figure of the Roman Baroque, painted "The Copper Age" as part of a series of frescoes depicting the ages of man, commissioned for the Palazzo Pitti in Florence. This work is an allegorical representation of the Copper Age, a period in classical mythology characterised by increasing violence and moral decay, following the Golden and Silver Ages. The frescoes were intended to celebrate the reign of the Medici family and to situate them within a grand historical and mythological narrative. The painting presents a scene of relative abundance and nascent conflict. Figures are shown engaging in various activities, some peaceful, such as harvesting grapes and tending to animals, while others hint at the emerging strife of the age. The composition is dynamic, with figures arranged in a complex, interwoven manner that is typical of Baroque painting. The colour palette is warm, dominated by earthy tones and highlighted by touches of blue and gold. The figures are rendered with a classical sensibility, their forms idealised and their poses graceful, yet there is also a sense of realism in their expressions and gestures.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Copper Age - Pietro da Cortona
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Pietro da Cortona
He was born Pietro Berrettini in Cortona, Tuscany, around 1596 and trained in Rome under Andrea Commodi and Baccio Ciarpi. He served as head of the Accademia di San Luca from 1634 to 1638. His architectural works include the facades of Santa Maria della Pace and Santa Maria in Via Lata, making him one of the rare artists of the period to excel equally as painter, architect and interior decorator.
His frescoes in the Palazzo Pitti in Florence (1637 to 1647) were his other major decorative cycle. He died in Rome in 1669, at seventy-two.
His influence on Baroque ceiling painting was immediate and lasting: every illusionistic fresco produced in Rome for the next century took the Barberini ceiling as its starting point, whether following Cortona's method or reacting against it. Few single paintings have shaped an entire tradition so decisively.
You May Also Like

