A detailed lithograph by Théodore Géricault depicting a coal cart and its team of horses, produced during the artist's time in London in 1821.

During his residence in London between 1820 and 1821, Théodore Géricault became fascinated by the realities of English urban and industrial life. This lithograph, titled The Coal Waggon, captures a moment of heavy labour with characteristic precision. The composition focuses on a team of powerful draught horses pulling a cart laden with coal, guided by a driver who walks alongside the animals. A second figure sits atop the cargo, surveying the path ahead. The scene is set against a low horizon, allowing the expansive, moody sky to dominate the upper portion of the print.

Géricault utilised the medium of lithography to achieve subtle tonal gradations, particularly in the rendering of the horses' musculature and the textured surfaces of the cart. The artist avoids idealisation, choosing instead to document the physical strain of the work and the utilitarian nature of the equipment. The print was published by Rodwell and Martin in February 1821, reflecting the artist's engagement with the London print market during his stay.

This work belongs to a series of lithographs produced by Géricault in England, which often depicted the lives of the working classes, including street vendors and labourers. The technical execution demonstrates his mastery of the lithographic stone, balancing fine detail in the figures with broader, atmospheric washes of ink. The image provides a window into the early nineteenth-century industrial environment, capturing the quiet, repetitive nature of transport and trade. It remains a clear example of the artist's ability to elevate everyday subjects through careful observation and technical skill.