The Bouvier (Roger de La Fresnaye) - Roger de La Fresnaye
Archival giclée
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Description
A striking portrait by Roger de La Fresnaye, "The Bouvier" blends traditional portraiture with Cubist influences. The painting features a man and his ox set against a stylised background, rendered in a restrained palette of earthy tones and muted blues.
Roger de La Fresnaye's "The Bouvier" presents a striking portrait of a man and his ox set against a stylised background. The artist, a key figure in the development of Cubism, blends elements of traditional portraiture with a modern sensibility. The painting features a man, presumably the bouvier (oxherd), rendered with elongated features and a somewhat detached expression. His hand is raised in a gesture that seems both commanding and slightly unsettling. The ox, depicted in the foreground, is rendered with simplified forms, its white coat contrasting with the darker tones of the man's attire. The background consists of a simplified building and a mountain, further contributing to the painting's sense of spatial ambiguity. The colour palette is restrained, dominated by earthy tones and muted blues, which adds to the overall mood of quiet contemplation. La Fresnaye's approach to form and space reflects the influence of Cubism, but he maintains a distinct personal style, characterised by a certain elegance and refinement. This work offers a compelling example of the artist's ability to merge tradition with innovation, creating a portrait that is both timeless and distinctly modern.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Bouvier (Roger de La Fresnaye) - Roger de La Fresnaye
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Roger de La Fresnaye
He was born in Le Mans in 1885 into an aristocratic family with an ancestral chateau in Falaise. He studied at the Academie Julian, the Ecole des Beaux-Arts and the Ranson Academy under Maurice Denis, moving from Symbolism to Cubism around 1910. He joined the Section d'Or group in 1912, exhibiting alongside Duchamp, Gleizes and Metzinger at Jacques Villon's studio.
His Cubism was always temperate. He never fully embraced the radical fragmentation of Braque and Picasso, retaining naturalistic colour and recognisable forms that helped popularise the movement without terrifying bourgeois audiences. The restraint was both a strength and a limitation: it made his work accessible, but it meant that the avant-garde moved past him before the war intervened. His colour remained lyrical and warm where analytical Cubism was grey and cerebral. He came from aristocratic stock, painted with aristocratic moderation, and died too young to see whether the moderation would have held.
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