A dramatic ink and wash drawing depicting the execution of Saint John the Baptist, rendered with the technical precision of the Dutch Golden Age.

This drawing by Moses ter Borch depicts the dramatic conclusion of the life of Saint John the Baptist. The composition focuses on the executioner, who stands in a central position with his sword raised, ready to strike. To the left, the saint kneels in a posture of resignation, while to the right, a figure holds a platter, awaiting the grim outcome. The work demonstrates the artist's command of ink wash, using varying densities of grey to define the figures and the architectural space of the prison cell.

Moses ter Borch, a member of the notable Ter Borch family of artists, produced this work during his brief career. His style reflects the influence of his father, Gerard ter Borch the Elder, and his half-brother, the painter Gerard ter Borch the Younger. The drawing is characteristic of the period's interest in biblical themes, rendered with a focus on human gesture and emotional weight. The use of wash creates a sense of volume and shadow, grounding the figures within the confined, austere setting. The artist avoids unnecessary detail, allowing the tension of the narrative to remain the primary focus of the viewer. This piece offers a glimpse into the technical training and thematic preoccupations of a young artist working within the Dutch tradition of the seventeenth century. The economy of line and the effective use of light and shadow demonstrate a sophisticated understanding of composition, typical of the sketches produced in the Ter Borch studio environment.