The Baptism of Christ - Sebastiano Ricci

Sebastiano Ricci

Sebastiano Ricci, a luminary of the late Venetian Baroque, possessed a painterly exuberance that captivated patrons across Europe. Born in 1659, Ricci initially trained in Venice, but his early career was chequered by personal scandal, including a spell in prison for impregnating a young woman. This turbulent start belies the refined elegance that would characterise his mature work. Ricci's genius lay in his ability to synthesise the grand decorative schemes of Veronese with a vibrant, modern sensibility, anticipating the Rococo. Ricci's travels were integral to his artistic development. He worked extensively in Florence, Rome, and even England, where he left a significant mark on British painting. His decorative cycles, such as those at Burlington House in London, introduced a new lightness and colouristic brilliance to the often-sombre English aesthetic. These large-scale projects demonstrate his mastery of illusionistic perspective and narrative storytelling, often depicting mythological or historical scenes with theatrical flair. Though celebrated during his lifetime, Ricci's reputation waned somewhat in later centuries. However, a renewed appreciation for his vivacious style has solidified his place as a key figure in the transition from the Baroque to the Rococo. His paintings offer a feast for the eyes, brimming with dynamic compositions, luminous colours, and a palpable sense of joy – a testament to the enduring power of Venetian artistry. Key works include the 'Resurrection' and 'The Triumph of Galatea'.