Skip to content Loading
Museum-grade giclée on FSC-certified paper Framed prints arrive ready to hang Secure checkout Faulty or damaged? We'll replace it free A British studio, printing worldwide

The Assumption of Saint Mary Magdalene - Albrecht Dürer

Regular price  £28.00 GBP
Sale price  £28.00 GBP Regular price 
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
In - stock and ready to ship

Archival giclée

Ready to hang

Secure checkout

Made to order

Description

A detailed woodcut by Albrecht Dürer depicting the legend of Saint Mary Magdalene being elevated by angels.

This woodcut depicts the legend of Saint Mary Magdalene, who, according to the Golden Legend, spent thirty years in a desert cave as a hermit. The print captures the moment of her daily elevation by angels, who carry her into the heavens to hear the celestial music of the spheres. Albrecht Dürer employs his characteristic precision in the line work, using varied hatching to define the musculature of the saint and the soft textures of the cherubs surrounding her. The composition is divided between the terrestrial and the celestial. In the lower left, a small figure of a monk or hermit observes the miracle, providing a sense of scale to the central event. The background features a coastal scene with rocky outcrops and distant ships, typical of the Northern Renaissance interest in combining religious narrative with observable natural details. Dürer's monogram, the famous AD, is visible on a tablet in the foreground, confirming his authorship of this technical achievement. Technically, the print demonstrates the high level of control Dürer achieved in the medium of woodcut. The lines are crisp and deliberate, creating a sense of volume and movement despite the two-dimensional constraints of the block. The angels are arranged in a circular formation around the saint, guiding the viewer's eye upward. This work reflects the period's fascination with hagiography and the integration of classical human form with Christian iconography. The balanced composition and the clarity of the narrative demonstrate the artist's ability to translate complex theological concepts into accessible visual form. It remains a fine example of early sixteenth-century printmaking, showing the transition from medieval stylistic conventions toward the more naturalistic approach of the Renaissance.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Complete The Look
The Assumption of Saint Mary Magdalene - Albrecht Dürer - Poster

The Assumption of Saint Mary Magdalene - Albrecht Dürer

Regular price  From £28.00 GBP
Sale price  From £28.00 GBP Regular price 
Fine Art Poster / A4 (21x29.7 cm) / -

Our Features

Designed for Lasting Impact

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Choose poster, framed print, canvas or framed canvas
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang
Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands
Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

Modern & timeless design

Curated collections that balance trend and longevity.

Crafted with care

Carefully inspected and finished before shipping.

100% Satisfaction Guarantee

Fast Shipping

Museum-Quality Materials

Albrecht Durer portrait

Artist Biography

Albrecht Dürer

Dürer brought the Italian Renaissance to northern Europe and took northern European printmaking to Italy. He went both ways. He visited Venice twice (1494-95 and 1505-07) and absorbed the colour, light, and anatomical precision of Bellini and Mantegna. He brought back a confidence in the human figure that German art had not previously possessed. In return, he showed the Venetians what could be done with a woodcut and an engraving burin.

He was born in Nuremberg, the son of a Hungarian goldsmith. He trained as a goldsmith himself before apprenticing with the painter and printmaker Michael Wolgemut. The metalwork training gave him the manual precision that made his prints extraordinary. Melencolia I, Knight, Death and the Devil, and Saint Jerome in His Study, all made between 1513 and 1514, are among the finest engravings ever produced. The density of cross-hatching, the control of tonal gradation, the rendering of fur, feathers, and stone: these are virtuoso performances in a medium that most artists treated as reproductive.

He drew a rhinoceros from a description and a sketch sent by letter. He had never seen one. Dürer's Rhinoceros (1515) is anatomically wrong in several respects (the animal has an extra horn and armour plating) but it remained the standard European image of a rhinoceros for three centuries.

He was one of the first artists to paint self-portraits as a primary subject. The Self-Portrait at Twenty-Eight (1500) shows him facing the viewer directly, with long hair and a fur coat, in a pose traditionally reserved for Christ. It was either an act of supreme confidence or deliberate blasphemy. Probably both.
Discover Artist

Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

Your cart
Your cart is empty
Have an account? Log in to check out faster.
Continue shopping Continue shopping
Cart total £0.00 GBP
Product image Product information Quantity Product total