A delicate graphite study of the artist's infant son, capturing a moment of quiet repose with precise, academic draughtsmanship.

Alphonse Legros, a French artist who spent much of his career in Britain, produced this graphite study of his infant son, Henry Arthur Legros. The drawing captures the subject in a state of quiet repose, with the soft features of the child rendered through delicate, precise pencil work. Legros was known for his technical discipline and his preference for traditional methods, often favouring the clarity of line over the painterly effects popularised by his contemporaries.

The composition focuses entirely on the head and shoulders of the infant. The artist employs subtle shading to define the rounded contours of the child's cheeks and the gentle curve of the brow. The hair is suggested with light, rhythmic strokes, while the eyes remain closed, conveying a sense of stillness. The surrounding space is left largely empty, which directs the viewer's attention to the anatomical accuracy and the tender observation of the subject.

Legros was a significant figure in the teaching of art in London, serving as the Slade Professor of Fine Art at University College London for many years. His approach to drawing was rooted in the study of the Old Masters, particularly those of the Italian and French schools. This work reflects his ability to combine academic rigour with a personal, domestic subject. The drawing demonstrates his command of the medium, using the graphite to create a range of tones that suggest both the softness of the skin and the weight of the child's head against the surface. It is a quiet, observational piece that provides insight into the artist's private life and his practice of sketching those closest to him.