Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A striking 1926 woodcut by M.C. Escher depicting the fourth day of creation with a radiant sun, crescent moon, and a curved, mountainous horizon.
Produced in 1926, this woodcut by M.C. Escher depicts the biblical narrative of the fourth day of creation, as described in Genesis 1:14-19. The composition is divided into two distinct celestial spheres: a radiant, explosive sun on the left and a crescent moon accompanied by stars and planets on the right. Below these cosmic bodies, a barren, mountainous landscape curves across the horizon, suggesting the curvature of the earth. Escher employs a stark, high-contrast aesthetic typical of his early woodcut practice. The sun is rendered through a series of fine, radiating lines that emanate from a central point, creating a sense of intense light and energy. In contrast, the night sky is a solid field of black, punctuated by the white forms of the moon and distant stars. The mountains are defined by rhythmic, parallel gouges in the woodblock, which provide texture and volume to the otherwise flat terrain. This work demonstrates Escher's early interest in geometric order and the representation of space. While he is better known for his later mathematical tessellations and impossible structures, this piece reveals his technical proficiency with the woodcut medium. The deliberate use of black and white ink allows for a dramatic interplay of light and shadow, effectively capturing the vastness of the cosmos. The artist includes the inscription 'GEN. 1:14-19' in the upper right corner, directly referencing the source material. The print reflects a period in Escher's career where he explored themes of nature and mythology through a disciplined, graphic lens. The precision of the line work and the balance of the composition demonstrate his ability to translate complex conceptual ideas into a clear, visual language.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Failed his architecture exams, found Moorish tile patterns at the Alhambra, and became the most mathematically inventive printmaker of the century without any maths training.
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