Tentation - Eugène Grasset
Archival giclée
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Made to order
Description
A classic Art Nouveau lithograph by Eugène Grasset, depicting a woman reaching for fruit in a stylised, decorative apple tree.
Eugène Grasset was a central figure in the development of the Art Nouveau style, particularly in Paris. His work often synthesised medieval motifs with the flowing, organic lines that defined the turn of the century. Tentation, created around 1897, demonstrates his mastery of the lithographic medium and his ability to integrate human figures with decorative, natural elements. The composition features a woman in profile, her form echoed by the branches of an apple tree. The subject reaches for a piece of fruit, a clear reference to the biblical narrative of the Fall. Grasset employs a flat, graphic approach, using bold outlines to define the figure and the foliage. The colour palette is restrained, relying on earthy browns, soft greens, and the warm orange of the subject's garment to create a balanced, harmonious image. Grasset was deeply influenced by Japanese woodblock prints, which is evident in the lack of traditional perspective and the emphasis on silhouette. The background is treated as a decorative pattern, with leaves and fruit arranged to fill the space without creating depth. This approach reflects his background in design and architecture, where he sought to unify the decorative arts with fine art. The figure's hair, rendered in dark, sweeping curves, provides a strong visual anchor for the composition, guiding the viewer's eye across the scene. This print is a characteristic example of the period's interest in symbolic, allegorical subjects presented through a modern, stylised lens. It avoids excessive detail, focusing instead on the clarity of form and the rhythm of the lines.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Tentation - Eugène Grasset
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Eugène Grasset
Grasset was born in Lausanne in 1845, the son of a cabinetmaker and sculptor who taught him to use a chisel before he could draw. He studied drawing under Francois Bocion, then architecture in Zurich. A trip to Egypt after completing his education left a permanent mark on his visual vocabulary. He moved to Paris in 1871 and began designing furniture, wallpapers, fabrics, tapestries, ceramics and jewellery before turning to graphic design in 1877.
Poster art became his primary medium. His style drew on Viollet-le-Duc's theories of decorative structure, Japanese woodblock prints and Egyptian ornament, combined into flowing compositions that helped define Art Nouveau before the term existed. The G. Peignot et Fils typefoundry introduced the "Grasset" typeface at the 1900 Universal Exhibition, an italic design he created for use on his posters. He also collaborated with the jeweller Henri Vever on pieces that merged Art Nouveau organic forms with mythological subjects.
He taught design at a succession of Paris institutions from 1890 until 1913, including the Ecole Guerin, the Ecole Estienne and the Academie de la Grande Chaumiere. His influence on the generation of designers who followed him was extensive but largely unacknowledged outside France. He died in 1917, at seventy-two.
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