Tending the Sick - Sébastien Bourdon
Archival giclée
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Description
An etching by Sébastien Bourdon titled 'Tending the Sick', depicting a scene of charitable care with figures attending to the ill and suffering in an urban setting.
This etching, titled 'Tending the Sick', is by Sébastien Bourdon (1616-1671), a French painter and printmaker associated with the Baroque period. Bourdon's work often displays a blend of French, Italian, and Dutch influences, reflecting his travels and studies across Europe. He was also involved in the foundation of the Académie Royale de Peinture et de Sculpture. The print depicts a scene of charitable care, with numerous figures attending to the ill and suffering. The composition is divided into distinct groups, each engaged in acts of compassion. On the left, figures tend to a man lying on a raised platform, while an angel descends from above. To the right, others offer assistance, providing food and comfort. The architectural background suggests an urban setting, possibly a hospital or public space. The overall effect is one of sombre compassion, typical of Baroque-era depictions of religious and moral subjects. The fine lines of the etching create a detailed and textured surface, adding depth to the composition.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Tending the Sick - Sébastien Bourdon
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Sébastien Bourdon
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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