Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A nineteenth-century stereoscopic photograph by Francis Frith documenting the ruins of the Temple of Maharraqa in Nubia.
This stereoscopic photograph captures the ruins of the Temple of Maharraqa in Nubia, a site that dates back to the Roman period in Egypt. Francis Frith, a pioneer of travel photography, produced this image during his second expedition to the region in the late 1850s. The composition presents the temple structure in a state of partial collapse, with its distinct columns and masonry partially buried by the encroaching desert sands.
Two figures stand in the foreground, providing a sense of scale to the massive stone blocks and the architectural remains. The inclusion of these individuals, dressed in contemporary Victorian attire, creates a contrast between the modern observer and the ancient surroundings. This was a common technique in nineteenth-century travel photography, intended to ground the viewer in the physical reality of the location while documenting the state of archaeological sites before modern preservation efforts.
Frith utilised the wet collodion process, which required the preparation of glass plates on-site. This technical challenge makes the clarity of the architectural details, such as the fluting on the columns and the texture of the weathered stone, particularly impressive. The stereoscopic format, designed for viewing through a stereoscope, provides a three-dimensional effect that was highly popular among Victorian audiences eager to explore distant lands from their own homes.
This print offers a historical record of the temple as it appeared in the mid-nineteenth century. It documents the architectural features of the site, which was later relocated during the UNESCO campaign to save monuments threatened by the construction of the Aswan High Dam. The image remains a primary source for understanding the documentation of Egyptian antiquities during the Victorian era, reflecting the period's fascination with archaeology and the expansion of travel photography.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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