Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Sunset over the River - Aelbert Cuyp
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A serene Dutch Golden Age river scene by Aelbert Cuyp, capturing the soft, golden light of a setting sun over a quiet waterway.
Aelbert Cuyp is widely recognised for his mastery of light and atmospheric effects in Dutch Golden Age painting. This work captures a quiet moment along a riverbank, where the transition from day to dusk creates a soft, golden illumination across the water and the surrounding terrain. The composition relies on a low horizon line, which allows the expansive sky to dominate the upper portion of the frame. Heavy, textured clouds drift across the upper register, their undersides catching the fading light, while the river below reflects the muted tones of the evening atmosphere.
On the right bank, two figures stand in silhouette, accompanied by a small group of resting sheep. Their presence provides a sense of scale and human activity, grounding the scene in the everyday life of the Dutch countryside. Cuyp employs a palette of ochre, warm brown, and soft grey to unify the elements of earth and sky. The brushwork is deliberate, focusing on the subtle gradients of light rather than sharp detail, which contributes to the overall sense of stillness. The distant sails on the water suggest the importance of river trade during the seventeenth century, yet the primary focus remains the observation of natural light as it shifts across the horizon.
This piece reflects the artist's interest in the Italianate style, which he adapted to suit the specific character of the Dutch river valleys. By prioritising the atmospheric quality of the air, Cuyp creates a sense of depth that draws the viewer into the scene. The work avoids unnecessary ornamentation, relying instead on the balance between the solid, dark foreground and the luminous, airy distance. It is a characteristic example of his approach to the genre, where the observation of nature is filtered through a refined sense of composition and tonal harmony.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Sunset over the River - Aelbert Cuyp
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Artist Biography
Aelbert Cuyp
Cuyp may have stopped painting when he got married. He married Cornelia Bosman in 1658, and his recorded output drops to almost nothing after that date. The following year he became a deacon of the Reformed Church. When he died in 1691, no paintings by other artists were found in his home. It is an unusual biography: a major painter who apparently chose civic and religious life over art with two decades still to live.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
He was born in Dordrecht in 1620, the most gifted member of a family of artists. His father Jacob Gerritsz Cuyp taught him; his uncle Benjamin and grandfather Gerrit were stained glass cartoon designers. His early landscapes were conventional, but in the mid-1640s he absorbed the golden, Italianate light of painters who had travelled to Rome, particularly Jan Both, and transformed his palette. The result was a body of riverside scenes bathed in warm early morning or late afternoon light that became his signature: cows standing in water, boats on the Maas, herdsmen silhouetted against amber skies.
He rarely dated his works, which has made reconstructing his career difficult. A large number of paintings attributed to him are probably by other hands, particularly Abraham Calraert, whose initials A.C. invite confusion. Cuyp was almost forgotten for two generations after his death, then was rediscovered in the late eighteenth century by British collectors, who bought so enthusiastically that the National Gallery in London holds more of his work than any Dutch museum.
He is thought to have painted Landscape with Cattle at around nineteen, showing precocious command of the golden tonality that would define his maturity. He died in Dordrecht in 1691, at seventy-one.
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