A classic Ukiyo-e woodblock print by Utagawa Hiroshige depicting the Seta bridge over Lake Biwa at dusk. Part of the Eight Views of Ōmi series, it features sailboats and distant mountains.

Sunset at Seta is a woodblock print from the series Eight Views of Ōmi, produced by Utagawa Hiroshige around 1834. This series followed the poetic tradition of the Eight Views of the Xiao and Xiang Rivers in China, adapting the themes to the scenery around Lake Biwa in Ōmi Province. The Seta bridge was a famous landmark on the Tōkaidō road, known for its strategic importance and its length. The composition uses a wide perspective to capture the expanse of the water and the surrounding mountains. In the foreground, the Seta no Karahashi bridge stretches across the lake, connecting the shore to a small island before continuing to the opposite bank. Small figures and carts cross the wooden structure. Several sailboats with white sails are scattered across the water, some heading towards the shore while others remain in the distance. Hiroshige employed the bokashi technique to create the atmospheric effects of the evening. A dark band of ink at the top of the sky transitions into a pale yellow, suggesting the fading light of the sun. The water is rendered in shades of blue, with lighter areas indicating reflections or shallow sections. The distant mountains, including the conical shape of Mount Mikami, are depicted with soft outlines and grey washes to suggest depth. The use of Prussian blue, a pigment that became widely available in Japan during the 1830s, is evident in the deeper tones of the lake. This colour provides a cool contrast to the warm yellows of the horizon. The placement of the boats creates a sense of movement, guiding the eye from the foreground bridge toward the distant peaks. This specific view, known as Seta no sekishō, focuses on the glow of the setting sun over the bridge, a motif that resonated with contemporary travellers and poetry enthusiasts alike.