A 1926 woodblock print by Yoshida Hiroshi, depicting a sulphur-crested cockatoo with characteristic precision and a muted, naturalistic palette.

This woodblock print by Yoshida Hiroshi belongs to his series, At the Zoological Garden (Dobutsuen), produced in 1926. Yoshida, a central figure in the Shin-hanga movement, applied his extensive experience in Western-style oil painting to the traditional Japanese woodblock medium. This synthesis resulted in prints that possess a unique depth and atmospheric quality, moving away from the flat planes of earlier Ukiyo-e works. The subject is a sulphur-crested cockatoo, rendered with careful attention to the texture of its plumage and the specific curvature of its beak. The bird is perched on a simple wooden bar, with a small metal feeding cup attached to the end. The composition is restrained, focusing entirely on the avian subject against a neutral, textured background. This choice of background allows the subtle yellow of the crest and the soft white of the feathers to remain the primary focus of the viewer. Yoshida Hiroshi was known for his rigorous approach to printmaking, often overseeing the carving and printing processes himself to ensure the final result matched his vision. His work in this series demonstrates a shift toward naturalistic observation, reflecting the broader interest in zoological study during the Taisho period. The print displays the characteristic precision of the Shin-hanga style, where the lines are clean and the colour application is layered to create a sense of volume. The muted palette, punctuated only by the yellow crest, provides a calm and contemplative aesthetic. This print is a representative example of Yoshida's technical skill and his ability to capture the quiet character of his subjects through the medium of the woodblock.