Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Study of Finches (for 'Love Leading the Pilgrim') - Edward Burne-Jones
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A delicate chalk study of finches by Sir Edward Burne-Jones, created in 1897 as a preparatory sketch for 'Love Leading the Pilgrim'. This print captures the artist's meticulous detail and appreciation for natural forms, adding Victorian elegance to any space.
This delicate study of finches, executed in chalk on paper, is attributed to the hand of Sir Edward Burne-Jones, a prominent figure in the British Aesthetic Movement. Created in 1897, it is believed to be a preparatory study for his allegorical painting 'Love Leading the Pilgrim'. The drawing showcases Burne-Jones's meticulous attention to detail and his ability to capture the subtle nuances of natural forms. Five finches are depicted in various poses, some in flight, others perched, each rendered with delicate lines and subtle shading. The artist's skill in capturing the birds' anatomy and movement is evident, reflecting his deep appreciation for the natural world. Burne-Jones's work often blended Pre-Raphaelite ideals with Symbolist themes, creating a unique visual language that resonated with the artistic sensibilities of his time. This study, while seemingly simple, embodies the artist's broader artistic concerns with beauty, symbolism, and the relationship between art and nature. As a fine art print, this study offers a glimpse into the artist's creative process and provides a touch of Victorian elegance to any interior. Its muted tones and delicate lines make it a versatile piece that complements a variety of decor styles, from traditional to contemporary. It is particularly well-suited for spaces where a sense of tranquility and refinement is desired.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Study of Finches (for 'Love Leading the Pilgrim') - Edward Burne-Jones
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Edward Burne-Jones
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, conjured worlds of myth and legend on canvas. Born in Birmingham, he initially intended to enter the clergy, but his encounter with the art and writings of John Ruskin and Dante Gabriel Rossetti at Oxford sparked a lifelong devotion to art. Burne-Jones's aesthetic, characterised by elongated figures, ethereal beauty, and a dreamlike atmosphere, offered an escape from the industrial realities of Victorian England.
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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