Strike - Grace Cossington Smith
Archival giclée
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Description
A modernist depiction of industrial unrest by Grace Cossington Smith, featuring a crowd of workers gathered before a factory, rendered in thick, rhythmic brushstrokes.
Grace Cossington Smith, a pioneer of Australian Modernism, produced this work during a period of significant social unrest. The painting depicts a group of workers gathered in an open space, their attention directed toward a central figure who stands with a raised fist. In the distance, industrial chimneys emit smoke, providing a clear context for the industrial action taking place. The composition relies on the artist's characteristic use of broken brushstrokes and a distinct, light-filled palette, which she applied to subjects ranging from domestic interiors to urban scenes.
The application of paint is thick and tactile, creating a mosaic-like surface that captures the movement and energy of the crowd. Cossington Smith avoids fine detail, preferring to define the figures through blocks of colour and strong outlines. This approach allows the viewer to focus on the collective action rather than individual portraits. The perspective is slightly elevated, looking down upon the group, which creates a sense of detachment while maintaining the intensity of the scene. The muted, earthy tones of the clothing contrast with the lighter, almost pastel hues of the ground and sky, suggesting a bright, perhaps dusty, day.
Cossington Smith was known for her early adoption of Post-Impressionist techniques, which she adapted to suit the Australian light and her own observations of daily life. This work is an example of her ability to translate contemporary events into a personal visual language. By focusing on the physical presence of the workers and the industrial backdrop, she captures the tension of the era. The work remains a significant piece within her early oeuvre, demonstrating her transition toward a more expressive, rhythmic style of painting that would define her later career.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Strike - Grace Cossington Smith
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