Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Endre Bálint
A 1960 pastel work by Hungarian artist Endre Bálint, featuring a fish set against a backdrop of bold stripes and warm, earthy tones.
Endre Bálint, a significant figure in twentieth-century Hungarian art, produced this work in 1960. The composition features a central fish rendered in dark, gestural strokes, resting upon a surface that contrasts with the surrounding environment. Bálint employs a palette dominated by earthy ochres, deep reds, and sharp blue-and-white stripes, which create a sense of spatial tension. The background elements appear semi-abstract, suggesting an interior setting where domestic objects are reduced to their essential forms. The application of pastel allows for a tactile quality, where the texture of the paper interacts with the pigment. Bálint often explored the relationship between objects and their surroundings, moving away from strict representation toward a more subjective interpretation of space. The striped fabric provides a rhythmic element that anchors the composition, while the figure to the right introduces a sense of ambiguity. This work reflects the artist's interest in the interplay of colour and form, characteristic of his mid-career output. His approach to the still life genre avoids traditional realism, opting instead for a synthesis of memory and observation. The stark contrast between the dark, elongated shape of the fish and the lighter, patterned surfaces demonstrates his command of tonal balance. By simplifying the visual information, Bálint invites the viewer to focus on the arrangement of shapes and the emotional weight of the colour choices. This piece remains a representative example of his ability to transform mundane subjects into compositions of structural interest.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Designed in Britain and printed to order at your nearest hub, reducing waste and shipping distance.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
The son of a respected Budapest art critic, Endre Bálint grew up inside Hungarian intellectual life. His uncle was the writer and editor Ernő Osvát; his sister Klára married literary historian Antal Szerb. This background gave Bálint an unusually sharp sense of cultural conversation, and his paintings were always arguments with the world as much as images of it. He trained at the College of Applied Arts in Budapest from 1930, then studied under Vilmos Aba-Novák. The decisive turn came in Paris in 1937, where he encountered André Breton and participated in the International Surrealist World Exhibition. Bálint absorbed Dada, Constructivism, and Surrealism without settling into any of them. In 1945, back in Budapest, he co-founded the European School, a short-lived but serious attempt to reconnect Hungarian avant-garde painting with Western modernism. By 1947, Breton had opened the doors for him to show at the Réalité Nouvelle exhibition in Paris. After the 1956 uprising, Bálint left Hungary and lived in Paris until 1962. There he completed his most ambitious project: over a thousand illustrations for a Jerusalem Bible, a sustained private world of dreamlike figures and compressed memory-images. He worked across an unusual range of media: collage, linoleum engraving, plaster engraving, montage, stage design. His paintings fold childhood recollection into nightmarish internal landscapes, a grammar of frightening shapes drawn from the same reservoir. In his final decade, Bálint received the Kossuth Prize, Hungary's highest cultural honour. He died in Budapest on 3 May 1986, aged 72, still regarded as one of the most significant figures of the Hungarian avant-garde.
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