Still Life, No. 1 - Marsden Hartley
Archival giclée
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Description
A 1912 oil painting by Marsden Hartley featuring fruit, a blue glass, and patterned textiles. This work demonstrates the influence of European modernism on American art.
Marsden Hartley painted Still Life, No. 1 in 1912 during a period of significant stylistic transition. This work reflects his exposure to European modernism while living in Paris. The composition features a bowl of fruit resting on a dark, decorated chest. A single orange sits in a blue glass in the foreground, accompanied by another piece of fruit on a white cloth. A patterned jug stands to the right. The background consists of heavy, decorative textiles. These fabrics use bold patterns and a palette of deep red, black, and yellow. Hartley employs thick black outlines to define the objects. This technique creates a sense of weight and structure. The perspective is flattened, which suggests the influence of Paul Cézanne and the Fauvist movement. Hartley was a member of the Alfred Stieglitz circle in New York. His work from this era often explores the relationship between objects and their surrounding space. The application of paint is heavy and tactile. Each brushstroke is visible on the canvas surface. The colours are saturated but controlled. This painting is an early example of Hartley's interest in the decorative qualities of everyday items. It avoids traditional realism in favour of a more expressive approach to form and colour.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Still Life, No. 1 - Marsden Hartley
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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