Stars 8 Pointed - Sol LeWitt
Archival giclée
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Description
A systematic screenprint by Sol LeWitt, featuring a grid of eight-pointed stars and solid colour blocks, reflecting his interest in geometric modularity.
Sol LeWitt, a central figure in the development of Conceptual Art and Minimalism, often prioritised the idea behind a work over its physical execution. In this series, LeWitt applies a systematic approach to the visual representation of eight-pointed stars. The composition is structured as a grid, a recurring device in his practice that allows for the exploration of permutations and variations within a set of predefined rules. Each square within the grid functions as an individual unit, containing either a linear star motif or a solid block of colour. The interplay between the positive space of the star and the negative space of the background creates a rhythmic visual experience. By limiting the palette and repeating the geometric form, LeWitt removes the subjective hand of the artist, focusing instead on the logic of the arrangement. The screenprint medium provides flat, consistent colour application, which aligns with the artist's preference for clarity and precision. This work demonstrates LeWitt's interest in modularity. The grid acts as a container for the variations, allowing the viewer to observe the relationships between the different colour combinations. The lack of a singular focal point encourages the eye to move across the entire surface, engaging with the mathematical order of the piece. Through this methodical process, LeWitt investigates how simple geometric shapes can be manipulated to produce complex visual outcomes without relying on traditional representational techniques. The work remains a clear example of his commitment to systems-based art, where the execution follows a predetermined plan, resulting in a balanced and orderly aesthetic.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Stars 8 Pointed - Sol LeWitt
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Sol LeWitt
He was born in Hartford, Connecticut, in 1928, to Russian Jewish immigrant parents. His father died when he was six. He drew on wrapping paper from his aunt's shop and took art classes at the Wadsworth Atheneum. He served in the Korean War, then settled in New York.
From 1968, he created over a thousand numbered wall drawings. He conceived them as musical scores that anyone could execute: a set of written instructions, carried out by other people, with the physical drawing destroyed after each exhibition. The idea, he argued, was the machine that makes the art. The execution was secondary. He championed and financially supported women artists who were being sidelined by the male-dominated art world. He refused to participate in celebrity culture and remained deliberately private. He died in 2007.
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