Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.











A lithograph by Pierre Bonnard depicting a nude woman washing herself. Executed with loose, sketch-like lines, this intimate scene brings a touch of Parisian elegance to any interior.
This lithograph by Pierre Bonnard, a prominent figure in the Post-Impressionist movement, captures a candid moment of a woman washing herself. Executed between 1923 and 1927, the artwork showcases Bonnard's distinctive style, characterised by intimate domestic scenes and a focus on the interplay of light and shadow. The subject, rendered in warm, earthy tones, stands nude, her posture suggesting a private, unguarded moment. Bonnard's loose, sketch-like lines convey a sense of immediacy and spontaneity, inviting the viewer into the scene. The composition, while seemingly simple, is carefully constructed to draw attention to the figure's form and the surrounding environment. The background, with its suggestion of a bathroom setting, adds context to the scene, while the overall effect is one of quiet contemplation and understated beauty. As a fine art print, this work brings a touch of Parisian elegance and artistic flair to any interior. Its intimate subject matter and delicate execution make it a captivating addition to a bedroom, bathroom, or dressing room, where its subtle charm can be fully appreciated. The print's warm tones and delicate lines also complement a variety of decor styles, from classic to contemporary.
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Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Pierre Bonnard, a leading figure of the Post-Impressionist movement and a founder of the avant-garde group Les Nabis, was far more than just a painter of intimate domestic scenes. While his sun-drenched interiors and depictions of daily life, like 'Dining Room on the Garden' (1934-35), are celebrated for their warmth and colour, Bonnard was a radical innovator, pushing the boundaries of perspective and composition. He challenged traditional notions of representation, favouring emotional resonance over strict realism. Bonnard's intensely personal style, developed through close observation and a deep connection to his surroundings, often featured his wife, Marthe de Méligny, as a recurring muse. His exploration of memory and sensation, evident in works such as 'Nude in the Bath' (1925), elevates the mundane to the sublime. Though sometimes labelled an Intimist, his artistic ambition extended far beyond mere depictions of private life, seeking to capture the very essence of lived experience. Despite initial recognition, Bonnard's reputation waned in the mid-20th century as abstraction gained prominence. However, his unique vision and masterful use of colour have since been rightfully reassessed. Today, Pierre Bonnard is recognised as a major force in modern art, whose paintings offer a profound meditation on beauty, memory, and the quiet poetry of everyday existence. His art prints bring a touch of French modernism to any space.
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