Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Giovanni Bellini's 'St Francis in Ecstasy' (c. 1480) captures a moment of spiritual transcendence in a detailed Venetian setting. The painting exemplifies Early Renaissance naturalism and Bellini's masterful use of light and colour.
Giovanni Bellini's painting, St Francis in Ecstasy, completed around 1480, depicts Saint Francis of Assisi in a moment of spiritual communion with God. The work is set in a rocky, yet verdant, landscape, characteristic of the Venetian countryside. Francis stands barefoot, his arms outstretched, in a pose of acceptance and devotion. His humble brown robe contrasts with the ethereal light that bathes the scene. The background features a detailed vista, complete with a donkey, a shepherd, and distant buildings, all rendered with meticulous attention to detail. Bellini's use of light and shadow creates a sense of depth and realism, drawing the viewer into the saint's contemplative world. The rocky outcrop, the trees, and the sky contribute to a harmonious composition, reflecting the Renaissance interest in naturalism and humanism. Bellini's mastery is evident in the subtle gradations of colour and the delicate rendering of textures. The painting is not only a religious representation but also a celebration of the natural world, reflecting the artist's deep appreciation for the beauty of the Venetian environment. The work is currently held in the Frick Collection, New York.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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running Venice's most important workshop for fifty years, teaching Titian and Giorgione, and being called the greatest by Durer when he was very old
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