Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Soft Construction with Boiled Beans: Premonition of Civil War - Salvador Dalí
Regular price
£37.00 GBP
Sale price
£37.00 GBP
Regular price
Archival giclée
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Made to order
Description
A visceral Surrealist masterpiece by Salvador Dalí, depicting anatomical fragmentation as a metaphor for the Spanish Civil War.
Painted in 1936, this work by Salvador Dalí functions as a visual manifestation of the anxiety surrounding the Spanish Civil War. The composition features a monstrous, self-strangling figure constructed from distorted human anatomy. The limbs are elongated and disjointed, suggesting a body tearing itself apart. This anatomical fragmentation serves as a metaphor for the internal conflict and societal collapse occurring within Spain at the time.
The figure rests upon a barren, desolate plain, set against a bright, cloud-filled sky. This contrast between the grotesque subject and the clear atmosphere creates a sense of unease. The inclusion of boiled beans scattered at the base of the structure provides a mundane, domestic element that clashes with the violent imagery above. Dalí claimed the beans were a necessary addition to the composition, grounding the nightmarish scene in a recognisable, albeit absurd, reality.
Technically, the painting demonstrates Dalí's mastery of academic precision applied to irrational subject matter. The smooth, polished surfaces and careful modelling of the flesh tones draw from the traditions of classical painting, which makes the surreal distortion of the anatomy appear more tangible. The work avoids explicit political symbols, opting instead for a visceral, psychological representation of conflict. By focusing on the physical disintegration of the body, Dalí captures the horror of civil strife without relying on conventional war imagery. The painting remains a primary example of how Surrealist artists utilised the subconscious to process contemporary historical events.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Soft Construction with Boiled Beans: Premonition of Civil War - Salvador Dalí
Regular price
From £37.00 GBP
Sale price
From £37.00 GBP
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Salvador Dali
Dali was named after his dead brother. His parents had a son called Salvador who died at twenty-two months, then gave the same name to the boy born nine months later. They took him to visit the grave. He later claimed he believed himself to be the reincarnation of the first Salvador, which may have been true or may have been Dali doing what Dali did: turning biography into performance.
He entered the Royal Academy of Fine Arts in Madrid at seventeen and was expelled twice. The first time for inciting a student riot. The second time, in 1926, for announcing that none of the faculty were competent to examine him. While in Madrid he read Freud's The Interpretation of Dreams and later called it one of the most important discoveries of his life. He began inducing hallucinatory states through a method he called 'paranoiac-critical': staring at objects until they transformed into something else, then painting what he saw.
The Persistence of Memory, the one with the melting clocks, was painted in 1931. He was twenty-seven. The clocks were not, as commonly assumed, a reference to Einstein. Dali said they were inspired by Camembert cheese melting in the sun. He joined the Surrealists in Paris but was eventually expelled by Andre Breton (Dali attracted expulsions) for political ambiguity and, more practically, for being impossible to control.
Gala Eluard became his wife, manager, muse, and business partner. She had previously been married to the poet Paul Eluard, and her departure for Dali divided the Surrealist circle. Together they built a career that crossed painting, film (Un Chien Andalou with Bunuel), fashion (the lobster telephone, Mae West's lips sofa), advertising, and later the Chupa Chups lollipop logo. He designed the Dali Theatre-Museum in Figueres on the ruins of the town theatre that had been destroyed in the Civil War. He is buried there, beneath the stage.
He entered the Royal Academy of Fine Arts in Madrid at seventeen and was expelled twice. The first time for inciting a student riot. The second time, in 1926, for announcing that none of the faculty were competent to examine him. While in Madrid he read Freud's The Interpretation of Dreams and later called it one of the most important discoveries of his life. He began inducing hallucinatory states through a method he called 'paranoiac-critical': staring at objects until they transformed into something else, then painting what he saw.
The Persistence of Memory, the one with the melting clocks, was painted in 1931. He was twenty-seven. The clocks were not, as commonly assumed, a reference to Einstein. Dali said they were inspired by Camembert cheese melting in the sun. He joined the Surrealists in Paris but was eventually expelled by Andre Breton (Dali attracted expulsions) for political ambiguity and, more practically, for being impossible to control.
Gala Eluard became his wife, manager, muse, and business partner. She had previously been married to the poet Paul Eluard, and her departure for Dali divided the Surrealist circle. Together they built a career that crossed painting, film (Un Chien Andalou with Bunuel), fashion (the lobster telephone, Mae West's lips sofa), advertising, and later the Chupa Chups lollipop logo. He designed the Dali Theatre-Museum in Figueres on the ruins of the town theatre that had been destroyed in the Civil War. He is buried there, beneath the stage.
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Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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