Snowy Weather at Veneux-Nadon - Alfred Sisley
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A quiet, atmospheric Impressionist study of a snow-covered village path in Veneux-Nadon, painted by Alfred Sisley in 1880.
Alfred Sisley, a central figure of the Impressionist movement, painted this work in 1880 during his time in the village of Veneux-Nadon. The composition captures a quiet, wintry day in the French countryside. Sisley focuses on the atmospheric conditions, using a palette of greys, whites, and muted blues to convey the chill of the season. The sky occupies a significant portion of the canvas, filled with heavy, overcast clouds that suggest the possibility of further snowfall.
To the right, a stone building stands beside two bare trees, their dark, skeletal branches contrasting against the pale sky. A lone figure walks along the snow-covered path, providing a sense of scale and isolation. The fence on the left leads the eye towards the horizon, where the village merges with the winter light. Sisley employs short, visible brushstrokes to build the texture of the snow and the rough surfaces of the architecture. This technique allows the light to appear as if it is reflecting off the frozen ground.
Unlike some of his contemporaries who sought out urban subjects, Sisley remained dedicated to the rural environment. He possessed a particular sensitivity to the changing seasons and the specific quality of light in the Île-de-France region. This work demonstrates his ability to find beauty in the mundane aspects of village life. The painting is a study in tonal harmony, where the cool colours of the snow are balanced by the subtle warmth of the horizon line. It remains a representative example of his approach to plein-air painting, where the artist prioritised the immediate visual experience over formal structure.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Snowy Weather at Veneux-Nadon - Alfred Sisley
Artist Biography
Alfred Sisley
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like