A 1921 woodcut by Heinrich Campendonk, featuring a seated nude in a rural setting, defined by bold graphic lines and Expressionist geometry.

This woodcut by Heinrich Campendonk, produced in 1921, originates from the portfolio New European Graphics, Portfolio III: German Artists. Campendonk was a member of the Der Blaue Reiter group, and his work often explores the relationship between human figures and their environment through a lens of simplified, geometric forms. The composition features a seated female nude positioned in the foreground, rendered with stark, angular lines. Behind her, a farmhouse and a large, circular sun or celestial body dominate the upper portion of the frame. The artist employs high-contrast black and white areas to define the space, eschewing traditional perspective in favour of a flattened, graphic arrangement. A small figure stands near the house, while an animal form is visible to the right, contributing to the dreamlike, rural atmosphere characteristic of Campendonk's graphic output during this period. The woodcut medium allows for sharp edges and bold silhouettes, which the artist uses to create a sense of rhythmic movement across the surface. The interplay between the organic curves of the figure and the rigid geometry of the architecture creates a visual tension. This print reflects the broader interest among early twentieth-century German artists in folk art and primitive aesthetics, which they adapted to express subjective experience. The work remains a clear example of the woodcut revival that defined much of the Expressionist movement, prioritising emotional resonance and formal clarity over naturalistic representation.