Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A raw, expressive marine scene by Alfred Wallis, depicting the wreck of the 'Alba' on the Cornish coast using oil and pencil on cardboard.
Alfred Wallis, a former Cornish fisherman and scrap merchant, began painting in his late sixties. He lacked formal training, yet his work possesses a directness that attracted the attention of Ben Nicholson and Christopher Wood in 1928. This piece depicts the wreck of the 'Alba', a steamship that ran aground off the coast of Cornwall. Wallis often utilised scavenged materials, painting directly onto irregular pieces of cardboard with household paints. His approach to perspective is intuitive rather than academic, prioritising the memory of the event over realistic spatial representation.
The composition is dominated by the dark, hulking form of the vessel caught between jagged cliffs. White, agitated brushstrokes represent the turbulent sea, creating a sense of immediate motion around the hull. The lighthouse, perched on the cliffside, serves as a stark marker of the dangerous coastline. Wallis frequently used a limited palette, relying on the raw colour of the cardboard to provide a neutral base for his application of black, white, and ochre. The signature 'A Wallis' appears in the upper margin, a common feature of his works.
This image captures the raw, unrefined nature of Wallis's output. His work is often categorised as naive or outsider art, though his influence on the St Ives group of artists remains a subject of study. By stripping away the conventions of traditional marine painting, Wallis focused on the essential elements of the maritime experience. The result is a work that feels urgent and personal, reflecting his long life spent at sea. The lack of depth and the flattened forms are characteristic of his style, which sought to convey the reality of the ocean through simplified shapes and bold, expressive marks.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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