A striking portrait by Chaim Soutine, featuring his signature expressive brushwork and a bold, emotive colour palette.

Chaim Soutine, a central figure of the School of Paris, produced this portrait during a period of intense creative output. His approach to the human figure is defined by a rejection of academic precision, favouring instead a visceral application of paint that prioritises emotional weight over anatomical accuracy. In this composition, the subject is rendered with heavy, gestural brushwork that distorts the form, creating a sense of psychological tension. The palette is dominated by deep blues and contrasting pinks, which frame the figure and push the subject toward the foreground. Soutine often focused on members of the working class, such as cooks, bellhops, and chambermaids, treating their likenesses with a raw, unvarnished honesty. The paint surface is thick, with visible impasto that captures the light and adds a physical presence to the canvas. The subject's posture, with hands resting upon a dark object, suggests a moment of stillness amidst the turbulent application of colour. Soutine's technique involves a rapid, almost frantic movement of the brush, which serves to animate the static pose. By eschewing smooth transitions, he forces the viewer to engage with the materiality of the oil paint itself. This work is characteristic of his later period, where his focus shifted toward a more controlled, yet still highly emotive, exploration of his sitters. The background is reduced to abstract planes of colour, ensuring that the focus remains entirely on the figure and her internal state. This print captures the texture and depth of the original oil painting, allowing for a close examination of Soutine's unique handling of form and light.