A refined self-portrait by Louise Elisabeth Vigée Le Brun, inspired by the style of Peter Paul Rubens.

This portrait captures the artist Louise Elisabeth Vigée Le Brun during her early career in Paris. Painted in 1782, the work reflects the stylistic influence of Peter Paul Rubens, whose own portrait of Susanna Lunden served as a direct inspiration for this composition. Vigée Le Brun adopted the pose and the distinctive hat from the Flemish master, yet she infused the image with her own technical approach to light and texture.

The artist presents herself with a direct gaze, her expression composed and calm. She wears a white blouse with a ruffled collar, accented by a bright red ribbon at the chest and a matching sash at the waist. A dark, wide-brimmed hat adorned with feathers frames her face, creating a contrast against the muted, shadowy background. The lighting focuses on her features, drawing attention to the soft rendering of her skin and the delicate details of her jewellery.

Vigée Le Brun was a prolific painter, known for her ability to capture the likeness and character of her subjects. This self-portrait demonstrates her skill in handling oil paint, particularly in the fluid depiction of fabric and the subtle transitions of tone across her face. The choice to emulate Rubens indicates her engagement with historical European painting traditions, a common practice for artists of the eighteenth century who sought to refine their craft through the study of established masters.

As a woman working in the competitive environment of the French art world, Vigée Le Brun used such portraits to establish her professional identity. The work remains a clear example of her ability to balance classical composition with the aesthetic preferences of the late eighteenth century. The print captures these details, offering a view into the artist's self-presentation and her technical proficiency during a period of rapid change in French society.