A refined 1840 self-portrait in graphite by Dutch artist Guillaume Anne van der Brugghen, capturing a contemplative expression with delicate pencil work.

This graphite drawing presents a self-portrait of the Dutch artist Guillaume Anne van der Brugghen. Executed in 1840, the work demonstrates the artist's technical proficiency with pencil, utilising delicate shading to define the contours of the face and the texture of the fabric. The subject wears a soft cap and a cravat, attire consistent with the period's fashion for artists and intellectuals.

The composition is focused entirely on the head and shoulders of the sitter. Van der Brugghen employs a light touch, allowing the grain of the paper to remain visible, which adds a tactile quality to the image. The gaze of the subject is directed towards the viewer, creating a sense of direct engagement. The signature of the artist appears clearly at the bottom, alongside a date mark, which assists in situating this piece within his broader body of work.

As a study, this drawing offers insight into the personal practice of a 19th-century artist. It lacks the formal constraints of a commissioned portrait, allowing for a more spontaneous approach to line and form. The subtle modulation of tone around the eyes and the folds of the clothing reveals a careful observation of light. This print captures the nuances of the original graphite marks, preserving the character of the artist's hand. It is a quiet, contemplative piece that reflects the aesthetic sensibilities of the mid-19th century in the Netherlands.