A striking self-portrait by French Neo-Impressionist Charles Angrand, rendered in conté crayon with masterful use of light and shadow.

This self-portrait by Charles Angrand demonstrates the artist's mastery of the conté crayon, a medium he favoured for its ability to produce deep, velvety blacks and subtle gradations of tone. Angrand, a key figure in the Neo-Impressionist circle, applied the principles of divisionism to his works on paper, using a meticulous application of marks to build form through light and shadow rather than traditional line work.

The composition is stark and atmospheric. The artist emerges from a dark, indeterminate background, his face illuminated by a soft, directional light source. This technique creates a sense of mystery, as the features of his face, particularly the eyes and the carefully groomed moustache, are rendered with precision while the edges of his hat and coat dissolve into the surrounding darkness. The texture of the paper remains visible beneath the crayon, adding a tactile quality to the image.

Angrand was closely associated with Georges Seurat and Paul Signac, yet his work often possesses a more melancholic or introspective quality than that of his contemporaries. In this portrait, the artist presents himself with a composed, steady gaze. The absence of colour forces the viewer to focus entirely on the interplay of light and shadow, a hallmark of Angrand's graphic output during the 1890s. His approach to drawing was not merely preparatory; he viewed these works as finished pieces, capable of conveying complex psychological states through the careful manipulation of monochromatic values. This print captures the quiet intensity of his technique, offering a glimpse into the private world of a painter who preferred the subtle nuances of light over the bold declarations of his peers.