A 1909 still life by Belgian artist Georges Lemmen, featuring a floral arrangement and fruit rendered in the characteristic Neo-Impressionist style.

Georges Lemmen, a central figure in the Belgian Neo-Impressionist circle, produced this still life in 1909. The composition features a dense arrangement of flowers in a patterned ceramic vase, positioned alongside a dark, glazed earthenware jug. Two apples rest on the foreground surface, which is covered by a textured cloth. The work displays the artist's characteristic application of colour, utilising small, distinct brushstrokes to build form and light. Lemmen was closely associated with the Les Vingt group in Brussels, an organisation that brought together European avant-garde artists. While his early career was defined by the strict pointillist technique, his later works, such as this piece, show a move toward a more fluid, expressive application of paint. The palette is dominated by warm, autumnal tones, with deep reds, burnt oranges, and ochres creating a sense of atmospheric unity across the canvas. The contrast between the decorative, light-coloured vase and the solid, dark jug provides a structural balance to the floral display. This painting demonstrates the artist's focus on domestic subjects, a common theme in his later output. By applying the principles of divisionism to everyday objects, Lemmen creates a surface that vibrates with optical energy. The light appears to catch the curve of the apples and the glaze of the jug, while the background remains somewhat ambiguous, allowing the objects to occupy the primary space. This print captures the texture of the original oil paint, preserving the specific mark-making that defines Lemmen's mature style. It is a representative example of the transition from the rigid scientific approach of early Neo-Impressionism toward a more personal, painterly interpretation of light and colour.