Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Santa Claus (Der Weihnachtsmann) - Kurt Schwitters
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A 1922 Dada collage by Kurt Schwitters, featuring a layered arrangement of found paper, typography, and geometric forms.
Kurt Schwitters, a central figure in the Dada movement, developed his own unique approach to collage which he termed Merz. This work, dated 1922, demonstrates his method of repurposing discarded materials into a cohesive visual structure. By incorporating fragments of printed ephemera, typography, and textured paper, Schwitters transforms everyday refuse into a deliberate composition.
The arrangement relies on the juxtaposition of geometric shapes and torn edges. A circular colour wheel fragment sits near the top, providing a point of contrast against the muted, earthy tones of the surrounding paper scraps. The inclusion of text fragments, such as the label at the base, serves as a reminder of the original context of these materials, yet they are stripped of their initial purpose to function as formal elements within the frame. The composition avoids traditional perspective, favouring a flat, layered surface that invites the viewer to examine the physical quality of the materials themselves.
Schwitters utilised these assemblages to comment on the chaotic nature of post-war society. By elevating the mundane to the status of art, he questioned the boundaries between high culture and the debris of industrial life. This piece reflects his interest in the materiality of paper and the graphic potential of typography. The work remains a primary example of how the artist manipulated found objects to create a sense of order from fragmentation, maintaining a balance between the random nature of the source material and his own rigorous aesthetic control.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Santa Claus (Der Weihnachtsmann) - Kurt Schwitters
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
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Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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