A sixteenth-century woodcut by Veit Rudolf Specklin depicting the biblical anointing of King Saul by the prophet Samuel.

This woodcut by Veit Rudolf Specklin depicts the biblical narrative of the prophet Samuel anointing Saul as the first king of Israel. The composition follows the conventions of sixteenth-century German printmaking, where clarity of narrative takes precedence over atmospheric depth. Samuel, dressed in priestly vestments, stands to the right, pouring oil from a vessel onto the head of the kneeling Saul. Saul, already wearing a crown, holds a sceptre, signifying his transition into royal authority.

To the left, two figures observe the event. Their presence adds a sense of witness to the ceremony, grounding the scene in a human context. The background features a simplified mountainous terrain and a small cluster of buildings, which serve to place the event in a recognisable, albeit stylised, geographic setting. The artist employs clear, decisive lines to define the forms, a characteristic approach for woodcuts intended for book illustration or broadside distribution during this period.

Specklin, active in Strasbourg, was a skilled draughtsman and woodcutter. His work reflects the technical precision common among printmakers of the era who collaborated with printers to produce visual aids for religious texts. The lack of heavy shading allows the focus to remain on the interaction between the two primary figures. The print demonstrates the economy of line required by the woodcut medium, where every mark must be carved in relief. This piece offers a direct visual interpretation of the Old Testament text, stripped of unnecessary ornamentation to ensure the viewer immediately grasps the subject matter. It remains a representative example of the functional, didactic art produced in the German-speaking lands during the Reformation era.