A detailed pen and ink study by Moses ter Borch depicting Saint Roch distributing alms to the poor within an architectural setting.

This drawing by Moses ter Borch depicts the charitable acts of Saint Roch, a figure traditionally associated with the protection against plague. The composition is organised around the central figure of the saint, who stands upon a raised platform, distributing alms to a crowd of impoverished individuals. The scene is set within an architectural framework featuring classical columns and arches, which provide a sense of depth and spatial order to the busy gathering.

Ter Borch employs a technique of pen and ink combined with grey wash to define the forms and create tonal variation. The line work is fluid and descriptive, capturing the varied postures of the figures, from the seated woman in the foreground to the individuals reaching upwards toward the saint. The wash application adds volume to the drapery and depth to the shadows, grounding the figures within the architectural space. The artist demonstrates a clear interest in human interaction and the emotional weight of the narrative, focusing on the physical reality of the beggars and the compassionate gesture of the saint.

As a member of the prominent Ter Borch family of artists, Moses showed significant promise before his early death. His work often reflects the stylistic tendencies of the Dutch Golden Age, particularly in the careful observation of human form and the use of light to guide the viewer through a complex scene. This study provides insight into the preparatory methods and thematic interests of a young artist working within the seventeenth-century tradition of religious history painting. The drawing remains a clear example of the technical proficiency and narrative clarity that defined the period, offering a glimpse into the artistic development of a short-lived but talented draughtsman.