A detailed 1650 engraving by Cornelis Visscher depicting Saint Mark the Evangelist with his symbolic lion, showcasing masterful cross-hatching techniques.

This engraving by Cornelis Visscher, dated 1650, depicts Saint Mark the Evangelist. The composition features the saint in a contemplative pose, his gaze directed upwards, accompanied by his traditional iconographic attribute, the lion. Visscher employs a sophisticated system of cross-hatching and varied line weights to define the textures of the saint's robes, the weathered skin of his face, and the coarse fur of the lion. The inclusion of an inkwell, a quill, and an open book on the table reinforces the role of the saint as an author of the Gospel.

Visscher was a highly skilled printmaker based in Haarlem. His technical proficiency allowed him to achieve a remarkable range of tonal values, moving from the deep shadows of the background to the bright highlights on the saint's forehead and hands. The inscription at the base, 'S. MARCVS', identifies the subject, while the Latin text in the corners confirms Visscher as both the inventor and the engraver of the plate. This work demonstrates the high standard of Dutch printmaking during the seventeenth century, where artists balanced anatomical accuracy with dramatic lighting effects to create compelling religious imagery.

The print is a fine example of the Dutch Golden Age approach to religious art, which often prioritised human emotion and physical presence. The lion, positioned behind the saint, provides a sense of scale and narrative weight to the scene. The overall execution reflects the meticulous nature of Visscher's craft, showing his ability to manipulate the copper plate to produce a clear, readable image that retains its visual impact centuries later. This piece is suitable for those interested in the history of printmaking and the development of religious iconography in Northern Europe.