A diptych by Filippo Lippi, depicting Saint Anthony Abbot and the Archangel Michael in the Early Renaissance style. The work showcases Lippi's expressive figures and balanced composition.

This diptych by Filippo Lippi presents Saint Anthony Abbot and the Archangel Michael, each within their own arched panel. Lippi, an Italian painter of the Early Renaissance, was known for his expressive figures and use of colour. These panels exemplify his style, blending religious iconography with humanist elements. On the left, Saint Anthony is depicted as an elderly man with a long beard, wearing a simple robe and holding a staff. His halo signifies his sainthood. The background is a simple interior, painted in warm tones. On the right, Archangel Michael stands in armour, holding a sword and shield. His wings and halo mark him as a divine being. The background mirrors that of Saint Anthony, creating a sense of balance between the two panels. The composition is characterised by its attention to detail, particularly in the rendering of the figures' clothing and features. The colour palette is restrained, with earthy tones dominating, punctuated by the red of Michael's hat and the blue of his sash. The work reflects the Early Renaissance interest in classical forms and the human figure, while remaining firmly rooted in religious tradition.