A striking example of German Expressionism, this work by Karl Schmidt-Rottluff uses bold colours and angular forms to create an atmospheric scene.

Karl Schmidt-Rottluff, a founding member of the Die Brücke group, produced this work during a period when German Expressionism sought to move beyond objective representation. The painting prioritises subjective emotional response over naturalistic detail. The composition is dominated by bold, non-naturalistic colour choices, where deep blues and ochres define the structural elements of the architecture and the surrounding terrain. The moon, rendered as a stark, circular form, sits against a dark, atmospheric sky. Its placement creates a sense of tension with the angular, geometric forms of the building below. Schmidt-Rottluff employs heavy, visible brushwork, which adds a tactile quality to the surface of the canvas. This technique directs the viewer's attention to the physical act of painting, rather than the illusion of a scene. The architecture is simplified into sharp, triangular shapes, reflecting the artist's interest in woodcut aesthetics, a medium in which he was highly proficient. In this piece, the contrast between the warm, glowing moon and the cool, shadowed ground creates a distinct visual rhythm. The figure in the foreground is reduced to a dark, almost abstract silhouette, further emphasising the mood of the scene. By stripping away unnecessary detail, Schmidt-Rottluff focuses on the interplay of light and shadow, using colour to convey a specific psychological state. The work is characteristic of the artist's output during the early 1910s, a time when he was experimenting with the expressive potential of simplified forms and high-contrast palettes. This print captures the raw energy and directness of the original oil painting, preserving the texture and the intensity of the artist's application.