Red, White, and Brown - Mark Rothko
Archival giclée
Ready to hang
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Made to order
Description
A classic colour field painting by Mark Rothko, 'Red, White, and Brown' features bold horizontal blocks of colour that evoke a sense of depth and emotion. A striking piece of Abstract Expressionism for the modern home.
Mark Rothko's 'Red, White, and Brown' exemplifies the artist's signature style of colour field painting, a cornerstone of Abstract Expressionism. Created circa 1957, this work features three horizontal rectangles – a dark brown at the top, a vibrant orange in the centre, and a pale white at the bottom – set against a luminous red background. Rothko sought to evoke profound emotional responses through the interaction of colour and form, inviting viewers to immerse themselves in the artwork and experience a sense of contemplation and introspection. The blurred edges of the rectangles create a sense of depth and movement, enhancing the painting's ethereal quality. This print captures the essence of Rothko's artistic vision, making it a striking addition to any home. Its bold colours and minimalist composition can transform a living space into a gallery-like setting, perfect for those who appreciate modern art and seek to create a sophisticated and thought-provoking atmosphere. The artwork's emotional depth and visual impact make it a timeless piece that will continue to inspire and captivate for years to come.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Red, White, and Brown - Mark Rothko
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
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Museum-Quality Materials
Artist Biography
Mark Rothko
Rothko's artistic journey evolved from early figurative works to his signature style of large, luminous rectangles of colour. These weren't mere exercises in aesthetics; Rothko intended them to be immersive experiences. He meticulously controlled the lighting and viewing conditions of his exhibitions, wanting viewers to be enveloped by the canvases and to contemplate their own existence. Famously, Rothko was commissioned to create murals for the Four Seasons Restaurant in New York, but he ultimately withdrew from the project, feeling it was inappropriate for such a setting.
Tragically, Mark Rothko's life ended in suicide in 1970, but his legacy endures. His paintings continue to captivate and challenge audiences, prompting introspection and emotional responses. Rothko's works, such as "Orange, Red, Yellow", are not just paintings; they are invitations to contemplate the human condition. His art remains a powerful testament to the expressive potential of abstract form.
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