A detailed seventeenth-century etching by Jan de Bisschop depicting the mythological figure of Pan with his pan-pipes.

This etching by Jan de Bisschop depicts the mythological figure of Pan in a moment of repose. The composition draws upon classical iconography, presenting the deity with his characteristic goat-like legs, horns, and rustic features. Pan is shown reclining, his body angled to display a muscular torso, while his hand rests upon a syrinx, or pan-pipes, which are traditionally associated with his musical pursuits. A cluster of grapes is positioned near his legs, further linking the figure to the themes of nature and Dionysian revelry.

De Bisschop, a lawyer by profession and an amateur artist of significant skill, was known for his efforts to document and disseminate classical sculpture through his prints. This work reflects the seventeenth-century interest in the antique, where artists sought to translate the forms of classical statuary into the medium of printmaking. The etching technique allows for a clear definition of form, using varied hatching to suggest the texture of the figure's fur and the musculature of his human torso. The lines are precise, demonstrating a controlled approach to shading that gives the figure a sense of volume against the relatively sparse background.

The print is marked with the initials 'J.B.' and the inscription 'Poel.del.', indicating that the design was based on a drawing by Egbert van der Poel. This collaborative process was common in the period, where printmakers would interpret the works of other artists to reach a wider audience. The work captures a quiet, pastoral atmosphere, focusing on the anatomical study of the hybrid creature. It remains a clear example of the Dutch Golden Age's engagement with classical subjects, rendered with the technical clarity typical of de Bisschop's graphic output.