A detailed Flemish engraving depicting the biblical encounter between Rebecca and Abraham's servant at the well.

This engraving by Adriaen Collaert depicts the biblical narrative of Rebecca at the well, a subject drawn from the Book of Genesis. The scene captures the moment Rebecca offers water to the servant of Abraham, who has arrived with his camels to seek a wife for Isaac. Collaert, a member of the prolific Antwerp school of printmakers, demonstrates his technical proficiency through the use of fine, controlled lines to define the figures, the architectural elements, and the surrounding landscape.

The composition is organised with a clear focus on the central interaction between Rebecca and the servant. The background features a detailed cityscape and a caravan of camels, which provides context for the journey undertaken by Abraham's representative. The figures are rendered in the elongated, graceful proportions typical of the Northern Mannerist style, which was popular in the late sixteenth century. The artist employs a variety of hatching techniques to create depth and texture, from the folds of the garments to the rougher surfaces of the stone well and the animals.

Collaert was known for his collaboration with other artists, often translating designs by painters such as Maerten de Vos into the medium of print. This work reflects the collaborative nature of the Antwerp print industry, where skilled engravers disseminated religious and moralising narratives to a wider audience. The inclusion of Latin text at the base of the print provides the scriptural reference, a common practice in devotional and educational prints of the period. The work is a fine example of the high level of craftsmanship found in Flemish printmaking during this era, showing a balance between narrative clarity and decorative detail.