Radiazone bleu - Max Bill
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A geometric screenprint by Max Bill, featuring a precise arrangement of blue planes that explore spatial depth through colour and form.
Max Bill was a central figure in the development of Concrete Art, a movement that prioritised mathematical precision and the autonomy of form. Radiazone bleu exemplifies his approach to visual organisation, where the canvas functions as a field for logical progression rather than representation. The composition relies on the interaction of geometric planes, specifically the diamond-shaped centre that anchors the work. By layering shades of blue, Bill creates a sense of spatial depth that remains strictly two-dimensional in its execution.
Bill studied at the Bauhaus in Dessau, where he absorbed the principles of functionalism and structural clarity. These influences are evident in his later work, where he moved away from subjective expression toward a system of objective visual communication. In this piece, the colour palette is restricted to a narrow range of blues, allowing the viewer to focus entirely on the relationship between the angular shapes and the edges of the frame. The transition from lighter to darker tones suggests a rhythmic movement, a hallmark of Bill's interest in the intersection of mathematics and aesthetics.
As a designer, architect, and artist, Bill maintained a consistent rigour across all his creative outputs. His work often explores how simple geometric elements can generate complex visual experiences without relying on external references. Radiazone bleu is a clear demonstration of this philosophy. The print avoids decorative excess, opting instead for a clean, disciplined arrangement that invites quiet observation. It is a work that rewards a steady gaze, as the subtle shifts in hue and the sharp intersections of the lines reveal the artist's meticulous planning. This piece is an excellent example of mid-twentieth-century European abstraction, reflecting a period when artists sought to create a universal visual language based on order and clarity.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Radiazone bleu - Max Bill
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

