A satirical etching from Goya's Los Caprichos series, depicting a biting social commentary on exploitation through the metaphor of plucking a bird.

This print is plate 21 from Los Caprichos, a series of eighty etchings and aquatints published by Francisco de Goya in 1799. The work depicts a scene of social satire, characteristic of Goya's critical examination of Spanish society during the late eighteenth century. In this composition, two figures are shown plucking the feathers from a woman who possesses avian features, a visual metaphor for the exploitation and manipulation of young women by those in positions of authority or influence.

Goya employs aquatint to create atmospheric depth and shadow, which heightens the unsettling nature of the scene. The figures are rendered with sharp, expressive lines, while the background remains dark and indistinct, focusing the viewer's attention on the central action. The title, ¡Qual la descañonan!, translates to 'How they pluck her!', a phrase that carries a double meaning in Spanish, referring both to the physical act of plucking a bird and the colloquial sense of stripping someone of their money or possessions.

As a master of the print medium, Goya used Los Caprichos to critique superstition, clerical corruption, and the moral failings of the aristocracy. This specific plate demonstrates his ability to blend realism with grotesque caricature to convey complex social commentary. The print is a fine example of the artist's technical skill in etching, particularly in his use of tonal variations to establish mood and narrative tension. It remains a significant piece for those interested in the history of printmaking and the development of political satire in European art.