A seventeenth-century drawing by Leonaert Bramer depicting the discovery of an oil spring by Proxenus in the camp of Alexander the Great.

This drawing by Leonaert Bramer depicts a narrative moment from the life of Alexander the Great. The scene shows Proxenus, a soldier in the Macedonian army, discovering a spring of oil within the military camp. Bramer, a Dutch artist known for his distinct approach to historical and biblical subjects, employs a specific technique here: using black chalk and grey wash on blue paper, finished with white heightening to create a sense of volume and atmosphere.

Bramer was active in Delft and spent significant time in Italy, which informed his dramatic use of light and shadow. His style often features elongated figures and a theatrical arrangement of characters, as seen in the way the soldiers gather around the discovery. The composition is set against the backdrop of large, tented structures, suggesting the temporary nature of the military encampment. The blue paper provides a mid-tone that allows the artist to build up the image through both shadow and light, a common practice among Dutch draughtsmen of the seventeenth century.

This work belongs to a larger series of drawings by Bramer that illustrate the history of Alexander the Great. These sheets were often bound into albums, serving as personal collections of narrative art. The figures are rendered with a fluid, calligraphic line that captures their movement and surprise. The focus remains on the interaction between the central figures and the ground, where the oil spring is located. Bramer avoids excessive detail in the background, keeping the viewer's attention on the immediate reaction of the soldiers. The work demonstrates his ability to translate complex historical texts into visual form, maintaining a sense of immediacy and narrative clarity through his economical use of media.