Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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A detailed lithograph by Gustave Adolphe Simonau depicting the 1832 assault on the Fort Saint-Laurent during the Siege of Antwerp.
This lithograph by Gustave Adolphe Simonau depicts the capture of the Saint-Laurent lunette during the Siege of the Citadel of Antwerp in December 1832. The work documents a specific episode of the Ten Days' Campaign, a conflict occurring during the Belgian Revolution. Simonau, a Belgian artist known for his topographical and historical prints, captures the chaotic atmosphere of the assault with technical precision.
The composition is divided into distinct zones of activity. In the foreground, French soldiers are positioned behind earthworks, with some figures attending to the wounded while others prepare for the next phase of the attack. The middle ground is obscured by thick plumes of smoke, which serve to separate the foreground infantry from the intense action occurring at the ramparts of the fort. In the distance, the silhouette of the city of Antwerp is visible, providing a sense of geographical context to the military engagement.
Simonau employs a delicate line quality typical of early nineteenth-century lithography. The shading is achieved through fine cross-hatching and stippling, which creates a sense of depth despite the monochromatic palette. The print serves as a visual record of the French intervention in the Netherlands, reflecting the political tensions of the era. The inclusion of the title and descriptive text at the bottom of the sheet follows the conventions of contemporary historical documentation, intended to inform the viewer of the specific military event. The work is a clear example of how lithography was utilised in the nineteenth century to disseminate news and historical narratives to a wider public, bridging the gap between fine art and journalistic reporting.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Museum-Quality Materials
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